<?xml version="1.0" encoding="UTF-8"?>
<rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:wfw="http://wellformedweb.org/CommentAPI/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:atom="http://www.w3.org/2005/Atom"
	xmlns:sy="http://purl.org/rss/1.0/modules/syndication/"
	xmlns:slash="http://purl.org/rss/1.0/modules/slash/"
	xmlns:georss="http://www.georss.org/georss" xmlns:geo="http://www.w3.org/2003/01/geo/wgs84_pos#" xmlns:media="http://search.yahoo.com/mrss/"
	>

<channel>
	<title>The Center for the Humanities</title>
	<atom:link href="http://thecenterforthehumanities.wordpress.com/feed/" rel="self" type="application/rss+xml" />
	<link>http://thecenterforthehumanities.wordpress.com</link>
	<description>A blog for the Center for the Humanities and the James Gallery at the CUNY Graduate Center</description>
	<lastBuildDate>Fri, 17 Feb 2012 17:52:49 +0000</lastBuildDate>
	<language>en</language>
	<sy:updatePeriod>hourly</sy:updatePeriod>
	<sy:updateFrequency>1</sy:updateFrequency>
	<generator>http://wordpress.com/</generator>
<cloud domain='thecenterforthehumanities.wordpress.com' port='80' path='/?rsscloud=notify' registerProcedure='' protocol='http-post' />
<image>
		<url>http://1.gravatar.com/blavatar/f4606d888da63b9de39f8477e4df4e5c?s=96&#038;d=http%3A%2F%2Fs2.wp.com%2Fi%2Fbuttonw-com.png</url>
		<title>The Center for the Humanities</title>
		<link>http://thecenterforthehumanities.wordpress.com</link>
	</image>
	<atom:link rel="search" type="application/opensearchdescription+xml" href="http://thecenterforthehumanities.wordpress.com/osd.xml" title="The Center for the Humanities" />
	<atom:link rel='hub' href='http://thecenterforthehumanities.wordpress.com/?pushpress=hub'/>
		<item>
		<title>Reflections on Jerome Rothenberg @ 80</title>
		<link>http://thecenterforthehumanities.wordpress.com/2012/01/12/reflections-on-jerome-rothenberg-80/</link>
		<comments>http://thecenterforthehumanities.wordpress.com/2012/01/12/reflections-on-jerome-rothenberg-80/#comments</comments>
		<pubDate>Thu, 12 Jan 2012 23:16:07 +0000</pubDate>
		<dc:creator>Steven Pludwin</dc:creator>
				<category><![CDATA[Uncategorized]]></category>

		<guid isPermaLink="false">http://thecenterforthehumanities.wordpress.com/?p=357</guid>
		<description><![CDATA[By: Kendra Sullivan On Friday, December 9th, thirty-three friends and collaborators gathered to honor poet, translator, editor, and anthologist, Jerome Rothenberg on the occasion of his 80th birthday. Organized by Charles Bernstein, Pierre Joris, and Steve Clay, the evening featured tributes presented by: Ammiel Alcalay, Bruce Andrews &#38; Sally Silvers, Homero Aridjis, Steve Clay, Peter Cockelbergh, [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=thecenterforthehumanities.wordpress.com&amp;blog=28151715&amp;post=357&amp;subd=thecenterforthehumanities&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<p><a href="http://thecenterforthehumanities.files.wordpress.com/2012/01/jerome-rothenberg-80-celebration-090.jpg"><img class=" wp-image-388 alignright" title="&quot;What They Wore&quot; by Tony Torn and Lee Ann Brown" src="http://thecenterforthehumanities.files.wordpress.com/2012/01/jerome-rothenberg-80-celebration-090.jpg?w=324&#038;h=215" alt="" width="324" height="215" /></a></p>
<p><em>By: Kendra Sullivan</em></p>
<p>On Friday, December 9<sup>th</sup>, thirty-three friends and collaborators gathered to honor poet, translator, editor, and anthologist, <a href="http://poemsandpoetics.blogspot.com/" target="_blank"><strong>Jerome Rothenberg</strong></a> on the occasion of his 80<sup>th</sup> birthday. Organized by <a href="http://epc.buffalo.edu/authors/bernstein/" target="_blank">Charles Bernstein</a>, <a href="http://pierrejoris.com/" target="_blank">Pierre Joris</a>, and <a href="http://www.granarybooks.com/article_tribute_jerome_rothenberg" target="_blank">Steve Clay</a>, the evening featured tributes presented by: <a href="http://qcpages.qc.edu/cmal/faculty/ammielalcalay.html" target="_blank">Ammiel Alcalay</a>, <a href="http://epc.buffalo.edu/authors/andrews/" target="_blank">Bruce Andrews</a> &amp; <a href="http://www.foundationforcontemporaryarts.org/grant_recipients/mssallysilvers.html" target="_blank">Sally Silvers</a>, <a href="http://amediavoz.com/aridjis.htm" target="_blank">Homero Aridjis</a>, <a href="http://www.granarybooks.com/books/clay/clay1.html" target="_blank">Steve Clay</a>, <a href="http://ebsn.eu/members/peter-cockelbergh/" target="_blank">Peter Cockelbergh</a>, <a href="http://www.columbia.edu/cu/spanish/people/gradstudents/delatorre.html" target="_blank">Monica de la Torre</a>, <a href="http://epc.buffalo.edu/authors/duplessis/" target="_blank">Rachel Blau duPlessis</a>, <a href="http://writing.upenn.edu/~afilreis/" target="_blank">Al Filreis</a>, <a href="http://www.michaelhellerpoetry.com/" target="_blank">Michael Heller</a> &amp; <a href="http://marshhawkpress.org/augustine2.htm" target="_blank">Jane Augustine</a>, <a href="http://epc.buffalo.edu/authors/howe/" target="_blank">Susan Howe</a>, <a href="http://epc.buffalo.edu/authors/kelly/" target="_blank">Robert Kelly</a>, <a href="http://www.woodlandpattern.org/poems/basil_king01.shtml" target="_blank">Basil King</a>, <a href="http://www.granarybooks.com/books/turning_leaves/turning_leaves1.html" target="_blank">Ligorano-Reese</a>, <a href="http://www.bc.edu/schools/cas/romlang/faculty-staff/grosman.html">Ernesto Livon-Grosman</a>, <a href="http://ndbooks.com/campaigns/html/2631">Pete Monaco</a>, <a href="http://www.charliemorrow.com/">Charlie Morrow</a> and <a href="http://www.cmorrow.com/about.html">Maija-Leena Remes</a>, <a href="http://www.thing.net/~grist/l&amp;d/owens/lro-cont.htm" target="_blank">Rochelle Owens</a> &amp; <a href="http://www.writing.upenn.edu/pennsound/x/Economou.php" target="_blank">George Economou</a>, <a href="http://www.nicolepeyrafitte.com/" target="_blank">Nicole Peyrafitte</a>, <a href="http://www.quasha.com/" target="_blank">George Quasha</a>, <a href="http://jeffreycrobinson.com/Poetry.html" target="_blank">Jeffrey Robinson</a>, <a href="http://www.youtube.com/watch?v=tMrvtzrj5Is" target="_blank">Diane Rothenberg</a>, <a href="http://en.wikipedia.org/wiki/Hiroaki_Sato" target="_blank">Hiroaki Sato</a>, <a href="http://www.caroleeschneemann.com/" target="_blank">Carolee Schneemann</a>, <a href="http://dss-edit.com/" target="_blank">Danny Snelson</a>, <a href="http://www.annetardos.com/" target="_blank">Anne Tardos</a>, <a href="http://epc.buffalo.edu/authors/brown/" target="_blank">Lee Ann Brown</a> &amp; <a href="http://opencity.org/archive" target="_blank">Tony Torn</a>, <a href="http://www.afropoets.net/quincytroupe.html" target="_blank">Quincy Trou</a><a href="http://www.afropoets.net/quincytroupe.html" target="_blank">pe</a>, <a href="http://www.iantyson.com/" target="_blank">Ian Tyson</a>, <a href="http://www.naropa.edu/swp/faculty/a_waldman.cfm" target="_blank">Anne Waldman</a>, and <a href="http://www.wildhoneypress.com/featured/weiss/weiss.htm" target="_blank">Mark Weiss</a>.</p>
<p><span id="more-357"></span></p>
<p>In <a href="http://sibila.com.br/index.php/sibila-english/1950-jeffrey-robinson" target="_blank">Jeffrey Robinson’s remarks</a>, he quotes Jerome naming poetry a “sacred action.” Going further in his own words &#8211;  a sacred action “by which a human being creates &amp; recreates the circumstances &amp; experiences of a <em>real</em> world.”  On December 9<sup>th</sup>,  it was clear that by collecting and transmitting these sacred actions through his many publications, Rothenberg had managed to create &amp; recreate a <em>real</em> community around his intrepid poetics.</p>
<p>Performances were broad-reaching, varied, and poignant. Bruce Andrews read a poem, Sally Silvers danced alongside. Homero Aridjiis commented on his first encounter with the poet in Mexico City half a century before: “I first met Jerome Rothenberg in 1960. Yesterday.” He proceeded to translate a letter Jerry had written to him that year into English: “The air here is very humid and when it rains every afternoon, the streets become filled with water and are only passable by boat.”</p>
<p>Performers seemed relaxed, humble, and happy to have the opportunity to honor Rothenberg. I overheard one attendee say “People can be themselves around Jerome.” Praise came easily, as did dance and song. Of <a href="http://www.amazon.com/America-prophecy-reading-American-pre-Columbian/dp/039471976X/ref=tmm_pap_title_0" target="_blank"><em>America Prophecy: A New Reading of American Poetry from Pre-Columbian Times to the Present</em></a>, where Rothenberg teases out the visionary and prophetic thread in American poetry, Susan Howe said, “I owe you a tremendous debt for that. It’s never stopped. It just sort of fired me up and got everything going.”</p>
<p>Sound artist Charlie Morrow and his partner Maija-Leena Remes formed a small conch-shell marching band. Tony Torn and Lee Anne Brown staged “<em><a href="http://poemsandpoetics.blogspot.com/2008/09/uncollected-poems-5-what-they-wore.html">What They Wore: A Play for Actors in Five Acts</a>,</em> by Jerome Rothenberg.” On stage, they robed and costumed one another as “He wore a shadow. She wore a calendar. He wore a scarf. She wore a field of wheat. He wore a lightning rod. She wore a message. He wore a dangerous display.” Michael Heller and Jane Augustine performed a “chant and cheer” for Jerry and Diane, his wife, whose 80<sup>th</sup> birthday also falls this year.</p>
<p>Rachel Blau duPlessis read a “joyous epistolary ode to Jerry and Diane” that praised his insistence on inclusivity. “He eludes to this unceasing dialogue between particularist and universalist social locations both the Jewish and the human, but always rejecting chosenness or any claims of exclusive culture.” Peter Cocklebergh presented an early draft of an online archive composed of magazines produced as part of the <a href="http://www.english.illinois.edu/maps/poets/a_f/bly/bushell.html" target="_blank">Deep Image</a> movement, “or moment” in New York in the 1960s. Hiro Sato read from “Howling at the Moon,” Nicole Peyrafitte performed a haunting song, Monica de la Torre read an article from <em>The New York Times</em>, printed on July 23, 1970 alongside a photograph of “<a href="http://http://select.nytimes.com/gst/abstract.html?res=F40E16FC345A1B7493C1AB178CD85F448785F9&amp;scp=1&amp;sq=Maria%20Sabina:%20High%20Priestess%20of%20the%20Mushroom%20Eaters&amp;st=cse" target="_blank">Maria Sabina: High Priestess of the Mushroom Eaters</a>,”  Diane Rothenberg spoke movingly about her husband and their life together, and  Anne Waldman gave voice to old man in a Russian Polar Bear Cult, describing him as “a man expert in song. This is a man expert in lore.”</p>
<p>Steve Clay of <a href="http://www.granarybooks.com/" target="_blank">Granary Books</a>, who curated an exhibit of books, magazines, and collaborations by Rothenberg in conjunction with the event, sums up the affective power of Rothenberg’s work succinctly: “When I first unearthed <a href="http://www.newwilderness.org/nwfletter.html" target="_blank"><em>New Wilderness #11</em></a> in the library of Carolee Schneeman, it was like discovering another planet. Isn’t it always the case when discovering one of Jerome’s anthologies for the first time?” Artist Carolee Schneeman projected slides of candid snapshots taken at parties in the past, picturing many of those present in prior incarnations. While the images scrolled by in grand scope behind her, she photographed the Rothenbergs, the audience, and the evening’s festivities from the stage, adding December 9<sup>th</sup> to her personal archive of images from their shared lives.</p>
<p>The evening served as pointed reminder that the work we do matters. That it matters to each other. And that friends bound together by a common objective – this evening, poetry – can collectively make a sound that would singularly remain unsounded. If felt as though Jerome Rothenberg had motored open a double set of doors for each presenter: the first revealed the “<em>real</em> world” of the text, the second offered <em>real</em> access to a lasting community knit together by and inside this world.</p>
<p>At the close, Jerome read a few lines of his own. “This morning/ all the voices in my dream/ spoke with one voice./ I feel privileged to be here among you./ from now on we will live/ on borrowed time.”<em></em></p>
<p><em>- Kendra Sullivan is a painter, poet, curator, and boat-maker. She works at the Center for the Humanities.</em></p>
<br />  <a rel="nofollow" href="http://feeds.wordpress.com/1.0/gocomments/thecenterforthehumanities.wordpress.com/357/"><img alt="" border="0" src="http://feeds.wordpress.com/1.0/comments/thecenterforthehumanities.wordpress.com/357/" /></a> <a rel="nofollow" href="http://feeds.wordpress.com/1.0/godelicious/thecenterforthehumanities.wordpress.com/357/"><img alt="" border="0" src="http://feeds.wordpress.com/1.0/delicious/thecenterforthehumanities.wordpress.com/357/" /></a> <a rel="nofollow" href="http://feeds.wordpress.com/1.0/gofacebook/thecenterforthehumanities.wordpress.com/357/"><img alt="" border="0" src="http://feeds.wordpress.com/1.0/facebook/thecenterforthehumanities.wordpress.com/357/" /></a> <a rel="nofollow" href="http://feeds.wordpress.com/1.0/gotwitter/thecenterforthehumanities.wordpress.com/357/"><img alt="" border="0" src="http://feeds.wordpress.com/1.0/twitter/thecenterforthehumanities.wordpress.com/357/" /></a> <a rel="nofollow" href="http://feeds.wordpress.com/1.0/gostumble/thecenterforthehumanities.wordpress.com/357/"><img alt="" border="0" src="http://feeds.wordpress.com/1.0/stumble/thecenterforthehumanities.wordpress.com/357/" /></a> <a rel="nofollow" href="http://feeds.wordpress.com/1.0/godigg/thecenterforthehumanities.wordpress.com/357/"><img alt="" border="0" src="http://feeds.wordpress.com/1.0/digg/thecenterforthehumanities.wordpress.com/357/" /></a> <a rel="nofollow" href="http://feeds.wordpress.com/1.0/goreddit/thecenterforthehumanities.wordpress.com/357/"><img alt="" border="0" src="http://feeds.wordpress.com/1.0/reddit/thecenterforthehumanities.wordpress.com/357/" /></a> <img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=thecenterforthehumanities.wordpress.com&amp;blog=28151715&amp;post=357&amp;subd=thecenterforthehumanities&amp;ref=&amp;feed=1" width="1" height="1" />]]></content:encoded>
			<wfw:commentRss>http://thecenterforthehumanities.wordpress.com/2012/01/12/reflections-on-jerome-rothenberg-80/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
	
		<media:content url="http://1.gravatar.com/avatar/959c343cb0a4b1dbb63803d823e5d431?s=96&#38;d=identicon&#38;r=G" medium="image">
			<media:title type="html">spludwin</media:title>
		</media:content>

		<media:content url="http://thecenterforthehumanities.files.wordpress.com/2012/01/jerome-rothenberg-80-celebration-090.jpg" medium="image">
			<media:title type="html">&#34;What They Wore&#34; by Tony Torn and Lee Ann Brown</media:title>
		</media:content>
	</item>
		<item>
		<title>Historical Times: The Capacities of an Art Museum and How it Comes to Terms with the World Today</title>
		<link>http://thecenterforthehumanities.wordpress.com/2011/12/07/historical-times-the-capacities-of-an-art-museum-and-how-it-comes-to-terms-with-the-world-today/</link>
		<comments>http://thecenterforthehumanities.wordpress.com/2011/12/07/historical-times-the-capacities-of-an-art-museum-and-how-it-comes-to-terms-with-the-world-today/#comments</comments>
		<pubDate>Wed, 07 Dec 2011 17:27:57 +0000</pubDate>
		<dc:creator>Steven Pludwin</dc:creator>
				<category><![CDATA[Featured]]></category>
		<category><![CDATA[Art]]></category>
		<category><![CDATA[Charles Esche]]></category>
		<category><![CDATA[Museums]]></category>

		<guid isPermaLink="false">http://thecenterforthehumanities.wordpress.com/?p=326</guid>
		<description><![CDATA[On December 8th, 2011, Charles Esche, Director of the Van Abbemuseum in Eindhoven, The Netherlands, will be speaking at the Graduate Center, CUNY on the contemporary art museum&#8217;s experimental approach towards art&#8217;s role in society. Below are some fascinating clips of Charles Esche responding to questions about art and its relationship to society, politics, and [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=thecenterforthehumanities.wordpress.com&amp;blog=28151715&amp;post=326&amp;subd=thecenterforthehumanities&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<p>On December 8th, 2011, <a href="http://artforum.com/index.php?pn=interview&amp;id=1331">Charles Esche</a>, Director of the <a href="http://www.vanabbemuseum.nl/">Van Abbemuseum</a> in Eindhoven, The Netherlands, will be speaking at the <a href="http://centerforthehumanities.org/james-gallery/events/Historical-Times-The-Capacities-of-an-Art-Museum-and-How-it-Comes-to-Terms-with-the-World-Today">Graduate Center, CUNY</a> on the contemporary art museum&#8217;s experimental approach towards art&#8217;s role in society. Below are some fascinating clips of Charles Esche responding to questions about art and its relationship to society, politics, and human engagement with the world from the <a href="http://www.vanabbemuseum.nl/en/browse-all/?tx_vabdisplay_pi1[ptype]=24&amp;tx_vabdisplay_pi1[project]=548">Play Van Abbe Research Project</a> on the museum in the 21st century at the Van Abbemuseum:</p>
<p><span id="more-326"></span></p>
<blockquote><p>From 28 November 2009, <a href="http://www.vanabbemuseum.nl/en/browse-all/?tx_vabdisplay_pi1[ptype]=24&amp;tx_vabdisplay_pi1[project]=548"><em>Play Van Abbe</em></a> is the Van Abbemuseum’s major project for 18 months. It is a multifaceted programme working with and around the collection of the Van Abbemuseum and will cover the majority of the exhibition space. <em>Play Van Abbe</em> consists of exhibitions, projects, performances, lectures, discussions, and new techniques for mediating the public’s reactions to art and its contexts. With the social and political changes of the last 20 years in mind, the museum uses <em>Play Van Abbe</em> to ask topical questions about the identity and objectives of museums and cultural heritage organizations more generally.</p></blockquote>
<p><strong>Why does the museum talk about politics?</strong></p>
<p><iframe width="540" height="405" src="http://www.youtube.com/embed/kuJgEA-Gy-w?fs=1&#038;feature=oembed" frameborder="0" allowfullscreen></iframe></p>
<p><strong>Are artists and designers two different things?</strong></p>
<p><iframe width="540" height="405" src="http://www.youtube.com/embed/-XTRBGT0hOE?fs=1&#038;feature=oembed" frameborder="0" allowfullscreen></iframe></p>
<p><strong>Do you think the art world is separate from the commercial world?</strong></p>
<p><iframe width="540" height="405" src="http://www.youtube.com/embed/GbStFYxUnsg?fs=1&#038;feature=oembed" frameborder="0" allowfullscreen></iframe></p>
<p><strong>Why does the museum copy an artwork? Is that allowed?</strong></p>
<p><span style="text-align:center; display: block;"><a href="http://thecenterforthehumanities.wordpress.com/2011/12/07/historical-times-the-capacities-of-an-art-museum-and-how-it-comes-to-terms-with-the-world-today/"><img src="http://img.youtube.com/vi/X8sceunzMFI/2.jpg" alt="" /></a></span></p>
<br />  <a rel="nofollow" href="http://feeds.wordpress.com/1.0/gocomments/thecenterforthehumanities.wordpress.com/326/"><img alt="" border="0" src="http://feeds.wordpress.com/1.0/comments/thecenterforthehumanities.wordpress.com/326/" /></a> <a rel="nofollow" href="http://feeds.wordpress.com/1.0/godelicious/thecenterforthehumanities.wordpress.com/326/"><img alt="" border="0" src="http://feeds.wordpress.com/1.0/delicious/thecenterforthehumanities.wordpress.com/326/" /></a> <a rel="nofollow" href="http://feeds.wordpress.com/1.0/gofacebook/thecenterforthehumanities.wordpress.com/326/"><img alt="" border="0" src="http://feeds.wordpress.com/1.0/facebook/thecenterforthehumanities.wordpress.com/326/" /></a> <a rel="nofollow" href="http://feeds.wordpress.com/1.0/gotwitter/thecenterforthehumanities.wordpress.com/326/"><img alt="" border="0" src="http://feeds.wordpress.com/1.0/twitter/thecenterforthehumanities.wordpress.com/326/" /></a> <a rel="nofollow" href="http://feeds.wordpress.com/1.0/gostumble/thecenterforthehumanities.wordpress.com/326/"><img alt="" border="0" src="http://feeds.wordpress.com/1.0/stumble/thecenterforthehumanities.wordpress.com/326/" /></a> <a rel="nofollow" href="http://feeds.wordpress.com/1.0/godigg/thecenterforthehumanities.wordpress.com/326/"><img alt="" border="0" src="http://feeds.wordpress.com/1.0/digg/thecenterforthehumanities.wordpress.com/326/" /></a> <a rel="nofollow" href="http://feeds.wordpress.com/1.0/goreddit/thecenterforthehumanities.wordpress.com/326/"><img alt="" border="0" src="http://feeds.wordpress.com/1.0/reddit/thecenterforthehumanities.wordpress.com/326/" /></a> <img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=thecenterforthehumanities.wordpress.com&amp;blog=28151715&amp;post=326&amp;subd=thecenterforthehumanities&amp;ref=&amp;feed=1" width="1" height="1" />]]></content:encoded>
			<wfw:commentRss>http://thecenterforthehumanities.wordpress.com/2011/12/07/historical-times-the-capacities-of-an-art-museum-and-how-it-comes-to-terms-with-the-world-today/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
	
		<media:thumbnail url="http://thecenterforthehumanities.files.wordpress.com/2011/12/playvanimage_web1.jpg?w=150" />
		<media:content url="http://thecenterforthehumanities.files.wordpress.com/2011/12/playvanimage_web1.jpg?w=150" medium="image">
			<media:title type="html">playvanimage_web</media:title>
		</media:content>

		<media:content url="http://1.gravatar.com/avatar/959c343cb0a4b1dbb63803d823e5d431?s=96&#38;d=identicon&#38;r=G" medium="image">
			<media:title type="html">spludwin</media:title>
		</media:content>

		<media:content url="http://img.youtube.com/vi/X8sceunzMFI/2.jpg" medium="image" />
	</item>
		<item>
		<title>Is There Anything More to See? Civil War Photography and History</title>
		<link>http://thecenterforthehumanities.wordpress.com/2011/11/16/is-there-anything-more-to-see-civil-war-photography-and-history/</link>
		<comments>http://thecenterforthehumanities.wordpress.com/2011/11/16/is-there-anything-more-to-see-civil-war-photography-and-history/#comments</comments>
		<pubDate>Wed, 16 Nov 2011 20:56:24 +0000</pubDate>
		<dc:creator>Steven Pludwin</dc:creator>
				<category><![CDATA[Featured]]></category>
		<category><![CDATA[Art History]]></category>
		<category><![CDATA[Civil War]]></category>
		<category><![CDATA[History]]></category>
		<category><![CDATA[Photography]]></category>

		<guid isPermaLink="false">http://thecenterforthehumanities.wordpress.com/?p=282</guid>
		<description><![CDATA[How do photographs from the Civil War function as historical documents that continue to shape our vision of the past in distinct ways? How do they continue to inform our imagination of Civil War history in the present?  What is the link between imaging and imagining? These were just some of the questions provoked by [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=thecenterforthehumanities.wordpress.com&amp;blog=28151715&amp;post=282&amp;subd=thecenterforthehumanities&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<p>How do photographs from the Civil War function as historical documents that continue to shape our vision of the past in distinct ways? How do they continue to inform our imagination of Civil War history in the present?  What is the link between imaging and imagining? These were just some of the questions provoked by what was an incredibly stimulating panel on <a href="http://centerforthehumanities.org/node/293">Civil War photography and history</a> last week. The talk, sponsored by the <a href="http://ashp.cuny.edu/">American Social History Project</a> as a part of their, <a href="http://ashp.cuny.edu/civil-war-150/">&#8220;Still Hazy After All These Years&#8221; series</a>, featured a panel of noted art and American historians that included, <a href="http://www.marthaasandweiss.com/">Martha Sandweiss</a>, <a href="http://www.mtholyoke.edu/acad/facultyprofiles/anthony_lee.html">Anthony Lee</a>, <a href="http://history.uno.edu/Faculty/mitchell.cfm">Mary Niall Mitchell</a> and <a href="http://debwillisphoto.com/home.html">Deborah Willis</a>, &#8220;to address the persistence of photography&#8217;s influence over the vision of the Civil War and what remains to be learned from the war&#8217;s visual record.&#8221;</p>
<p><span id="more-282"></span></p>
<p>Despite the fact that, as <a href="http://www.joshbrownnyc.com/">Josh Brown</a> stated in his opening remarks, &#8220;photography and the Civil War remain inextricably linked in terms of how we think and remember the conflict 150 years later,&#8221; the photography of the Civil War era continues to provoke conflict and debate about its legacy, its impact and its meaning, often raising more questions than clearly defined answers. In short, Civil War photography remains a contested rather than settled space.</p>
<p>Photography today conjures a sense of immediacy. In a digitized world without film, where almost every phone is also a camera, and every picture can instantly circulate from its point of origin through a litany of social and digital networks in mere seconds, photographic images carry with them an air of veracity and authenticity. They operate as markers of testimony and witnessing. But photography during the Civil War was relatively new. The &#8220;wet-plate&#8221; process that was the standard in photo imaging technology at the time was incredibly time consuming, difficult and slow, requiring both assistance and controlled conditions. In other words, photography during the Civil War was anything but a medium suited for combat. In fact, as Anthony Lee remarked, photographers during the Civil War, by no fault of their own, were perpetually late. Arriving on the scene only after the action was over, photographers of this period were, at times, left with little to actually shoot without restaging scenes that already occurred.</p>
<p>Indeed, as Martha Sandweiss pointed out, the photographic record from the Civil War period remains fragmentary and fraught with ambiguity. The vast majority of Civil War campaigns went unrecorded by photographers, the more remote episodes of the war were never photographed, and Confederate field photography stops after 1861, making it much easier to visualize the movement of Northern troops in photographs than their Southern counterparts. In addition, printmakers often embellished photographs, claiming to have photographic sources even in places were there is no evidence to suggest that they actually did.</p>
<p>All of this suggests that we think critically about which photographs in particular have helped shape our image and memory of the war. Making it both a historical and ethical imperative to ask what narratives they engender and what stories they tell.</p>
<br />  <a rel="nofollow" href="http://feeds.wordpress.com/1.0/gocomments/thecenterforthehumanities.wordpress.com/282/"><img alt="" border="0" src="http://feeds.wordpress.com/1.0/comments/thecenterforthehumanities.wordpress.com/282/" /></a> <a rel="nofollow" href="http://feeds.wordpress.com/1.0/godelicious/thecenterforthehumanities.wordpress.com/282/"><img alt="" border="0" src="http://feeds.wordpress.com/1.0/delicious/thecenterforthehumanities.wordpress.com/282/" /></a> <a rel="nofollow" href="http://feeds.wordpress.com/1.0/gofacebook/thecenterforthehumanities.wordpress.com/282/"><img alt="" border="0" src="http://feeds.wordpress.com/1.0/facebook/thecenterforthehumanities.wordpress.com/282/" /></a> <a rel="nofollow" href="http://feeds.wordpress.com/1.0/gotwitter/thecenterforthehumanities.wordpress.com/282/"><img alt="" border="0" src="http://feeds.wordpress.com/1.0/twitter/thecenterforthehumanities.wordpress.com/282/" /></a> <a rel="nofollow" href="http://feeds.wordpress.com/1.0/gostumble/thecenterforthehumanities.wordpress.com/282/"><img alt="" border="0" src="http://feeds.wordpress.com/1.0/stumble/thecenterforthehumanities.wordpress.com/282/" /></a> <a rel="nofollow" href="http://feeds.wordpress.com/1.0/godigg/thecenterforthehumanities.wordpress.com/282/"><img alt="" border="0" src="http://feeds.wordpress.com/1.0/digg/thecenterforthehumanities.wordpress.com/282/" /></a> <a rel="nofollow" href="http://feeds.wordpress.com/1.0/goreddit/thecenterforthehumanities.wordpress.com/282/"><img alt="" border="0" src="http://feeds.wordpress.com/1.0/reddit/thecenterforthehumanities.wordpress.com/282/" /></a> <img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=thecenterforthehumanities.wordpress.com&amp;blog=28151715&amp;post=282&amp;subd=thecenterforthehumanities&amp;ref=&amp;feed=1" width="1" height="1" />]]></content:encoded>
			<wfw:commentRss>http://thecenterforthehumanities.wordpress.com/2011/11/16/is-there-anything-more-to-see-civil-war-photography-and-history/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
	
		<media:thumbnail url="http://thecenterforthehumanities.files.wordpress.com/2011/11/index-lg.jpg?w=150" />
		<media:content url="http://thecenterforthehumanities.files.wordpress.com/2011/11/index-lg.jpg?w=150" medium="image">
			<media:title type="html">index-lg</media:title>
		</media:content>

		<media:content url="http://1.gravatar.com/avatar/959c343cb0a4b1dbb63803d823e5d431?s=96&#38;d=identicon&#38;r=G" medium="image">
			<media:title type="html">spludwin</media:title>
		</media:content>
	</item>
		<item>
		<title>Art, History, and Popular Culture with Deborah Kass</title>
		<link>http://thecenterforthehumanities.wordpress.com/2011/11/11/art-history-and-popular-culture-with-deborah-kass/</link>
		<comments>http://thecenterforthehumanities.wordpress.com/2011/11/11/art-history-and-popular-culture-with-deborah-kass/#comments</comments>
		<pubDate>Fri, 11 Nov 2011 17:07:57 +0000</pubDate>
		<dc:creator>Steven Pludwin</dc:creator>
				<category><![CDATA[Featured]]></category>
		<category><![CDATA[Art]]></category>
		<category><![CDATA[Deborah Kass]]></category>
		<category><![CDATA[Pop Culture]]></category>

		<guid isPermaLink="false">http://thecenterforthehumanities.wordpress.com/?p=269</guid>
		<description><![CDATA[As a part of out Artists and Writers series here at the Center for the Humanities, Deborah Kass will be in conversation with Nancy K. Miller, Distinguished Professor of English and Comparative Literature at the Graduate Center, this coming week. For those not familiar with her work, Kass&#8217; paintings examine the intersections of art, history [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=thecenterforthehumanities.wordpress.com&amp;blog=28151715&amp;post=269&amp;subd=thecenterforthehumanities&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<p>As a part of out <a href="http://centerforthehumanities.org/node/842">Artists and Writers</a> series here at the <a href="http://centerforthehumanities.org/">Center for the Humanities</a>, <a href="http://deborahkass.com/">Deborah Kass</a> will be in conversation with <a href="http://web.gc.cuny.edu/english/faculty/miller.html">Nancy K. Miller</a>, Distinguished Professor of English and Comparative Literature at the <a href="http://www.gc.cuny.edu/">Graduate Center</a>, this coming week. For those not familiar with her work, Kass&#8217; paintings examine the intersections of art, history and popular culture. Check out this interview with her from a few years back courtesy of <a href="http://velvetparkmedia.com/">Velvetpark</a>. Enjoy!</p>
<p><span style="text-align:center; display: block;"><a href="http://thecenterforthehumanities.wordpress.com/2011/11/11/art-history-and-popular-culture-with-deborah-kass/"><img src="http://img.youtube.com/vi/xi21rfYvrhU/2.jpg" alt="" /></a></span></p>
<br />  <a rel="nofollow" href="http://feeds.wordpress.com/1.0/gocomments/thecenterforthehumanities.wordpress.com/269/"><img alt="" border="0" src="http://feeds.wordpress.com/1.0/comments/thecenterforthehumanities.wordpress.com/269/" /></a> <a rel="nofollow" href="http://feeds.wordpress.com/1.0/godelicious/thecenterforthehumanities.wordpress.com/269/"><img alt="" border="0" src="http://feeds.wordpress.com/1.0/delicious/thecenterforthehumanities.wordpress.com/269/" /></a> <a rel="nofollow" href="http://feeds.wordpress.com/1.0/gofacebook/thecenterforthehumanities.wordpress.com/269/"><img alt="" border="0" src="http://feeds.wordpress.com/1.0/facebook/thecenterforthehumanities.wordpress.com/269/" /></a> <a rel="nofollow" href="http://feeds.wordpress.com/1.0/gotwitter/thecenterforthehumanities.wordpress.com/269/"><img alt="" border="0" src="http://feeds.wordpress.com/1.0/twitter/thecenterforthehumanities.wordpress.com/269/" /></a> <a rel="nofollow" href="http://feeds.wordpress.com/1.0/gostumble/thecenterforthehumanities.wordpress.com/269/"><img alt="" border="0" src="http://feeds.wordpress.com/1.0/stumble/thecenterforthehumanities.wordpress.com/269/" /></a> <a rel="nofollow" href="http://feeds.wordpress.com/1.0/godigg/thecenterforthehumanities.wordpress.com/269/"><img alt="" border="0" src="http://feeds.wordpress.com/1.0/digg/thecenterforthehumanities.wordpress.com/269/" /></a> <a rel="nofollow" href="http://feeds.wordpress.com/1.0/goreddit/thecenterforthehumanities.wordpress.com/269/"><img alt="" border="0" src="http://feeds.wordpress.com/1.0/reddit/thecenterforthehumanities.wordpress.com/269/" /></a> <img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=thecenterforthehumanities.wordpress.com&amp;blog=28151715&amp;post=269&amp;subd=thecenterforthehumanities&amp;ref=&amp;feed=1" width="1" height="1" />]]></content:encoded>
			<wfw:commentRss>http://thecenterforthehumanities.wordpress.com/2011/11/11/art-history-and-popular-culture-with-deborah-kass/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
	
		<media:thumbnail url="http://thecenterforthehumanities.files.wordpress.com/2011/11/kass_deborah_paper.jpg?w=150" />
		<media:content url="http://thecenterforthehumanities.files.wordpress.com/2011/11/kass_deborah_paper.jpg?w=150" medium="image">
			<media:title type="html">Kass_Deborah_paper</media:title>
		</media:content>

		<media:content url="http://1.gravatar.com/avatar/959c343cb0a4b1dbb63803d823e5d431?s=96&#38;d=identicon&#38;r=G" medium="image">
			<media:title type="html">spludwin</media:title>
		</media:content>
	</item>
		<item>
		<title>Searching for the Global Hip Hop Generation&#8230;</title>
		<link>http://thecenterforthehumanities.wordpress.com/2011/11/02/still-searching-for-the-global-hip-hop-generation/</link>
		<comments>http://thecenterforthehumanities.wordpress.com/2011/11/02/still-searching-for-the-global-hip-hop-generation/#comments</comments>
		<pubDate>Wed, 02 Nov 2011 15:39:06 +0000</pubDate>
		<dc:creator>Steven Pludwin</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[hip hop]]></category>
		<category><![CDATA[music]]></category>
		<category><![CDATA[Sujatha Fernandez]]></category>

		<guid isPermaLink="false">http://thecenterforthehumanities.wordpress.com/?p=232</guid>
		<description><![CDATA[Last Monday, Sujatha Fernandez and a group she described as her &#8220;dream panel&#8221; that included, Imani Perry, William Upski Wimsatt, Marlon Burgess and Julio Cardenas, got together to celebrate the publication of her most recent book, Close to the Edge: In Search of the Global Hip Hop Generation. The book continues Fernandez&#8217;s incisive scholarship that [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=thecenterforthehumanities.wordpress.com&amp;blog=28151715&amp;post=232&amp;subd=thecenterforthehumanities&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<p><a href="http://thecenterforthehumanities.files.wordpress.com/2011/10/verso-978-1-84467-741-2-close-to-the-edge.jpg"><img class="alignleft size-medium wp-image-234" title="Verso 978-1-84467-741-2 Close to the Edge" src="http://thecenterforthehumanities.files.wordpress.com/2011/10/verso-978-1-84467-741-2-close-to-the-edge.jpg?w=200&#038;h=300" alt="" width="200" height="300" /></a>Last Monday, <a href="http://www.sujathafernandes.com/p/bio.html">Sujatha Fernandez</a> and a group she described as her &#8220;dream panel&#8221; that included, <a href="http://www.princeton.edu/africanamericanstudies/people/faculty/imani-perry/">Imani Perry</a>, <a href="http://billywimsatt.wordpress.com/">William Upski Wimsatt</a>, Marlon Burgess and <a href="http://articles.nydailynews.com/2011-07-12/local/29782832_1_hip-hop-culture-ariel-fernandez-diaz-cuban-rapper">Julio Cardenas</a>, got together to celebrate the publication of her most recent book,<a href="http://www.amazon.com/Close-Edge-Search-Global-Generation/dp/1844677419"><em> Close to the Edge: In Search of the Global Hip Hop Generation</em></a>. The book continues Fernandez&#8217;s incisive scholarship that explores localized manifestations of global hip hop culture and social movements outside of the United States (you can read more about her earlier work <a href="http://www.amazon.com/Cuba-Represent-Making-Revolutionary-Cultures/dp/0822338912/ref=sr_1_3?ie=UTF8&amp;qid=1308705143&amp;sr=8-3">here</a> and <a href="http://www.amazon.com/Who-Can-Stop-Drums-Movements/dp/082234677X/ref=sr_1_1?ie=UTF8&amp;qid=1308705143&amp;sr=8-1">here</a>). The panel, which included academics, emcees, and a journalist, is without a doubt a testament to her ability to tap into the diversity of global voices participating in hip hop today, and in part speaks to the mission of the book itself.</p>
<p><span id="more-232"></span></p>
<p>The question that animates the book is this: can we speak in terms of a global hip hop generation, and if so, who exactly is the &#8220;we&#8221; that comprises this global movement? To be sure, the question that informs her scholarship is not simply academic, but also deeply personal. It is this personal narrative that makes the book both compelling and highly readable as Fernandez takes the reader on a journey from her early engagements with hip hop culture through the hip hop communities she encounters in Havana, Chicago, Sydney and Caracas.</p>
<p>While Fernandez does see moments of unity and cross-cultural collaboration in the course of her travels, she also finds many &#8220;disjunctures between hip hop communities across the globe,&#8221; due to the particular circumstances and material conditions in which local hip hop communities around the world emerge and evolve. However, instead of effacing cultural difference, she uses these moments of disjuncture and dissonance to generate what is the most crucial insight of the book &#8211; &#8220;That the strength of hip hop was not that it formed a grand global movement but rather in the myriad local forms of expression that made it possible. This was where the seeds of change were being sown.&#8221;  Hip hop culture at its best is an outlet that does not dictate to the audience who they have to be in advance. Instead, it is a form through which people can tell their own stories, detail their own struggles, bear witness and write themselves, their lives, and their circumstances into history.</p>
<p>You can read more about the book and the rest of her work on her blog: <a href="http://www.sujathafernandes.com/">http://www.sujathafernandes.com/</a></p>
<br />  <a rel="nofollow" href="http://feeds.wordpress.com/1.0/gocomments/thecenterforthehumanities.wordpress.com/232/"><img alt="" border="0" src="http://feeds.wordpress.com/1.0/comments/thecenterforthehumanities.wordpress.com/232/" /></a> <a rel="nofollow" href="http://feeds.wordpress.com/1.0/godelicious/thecenterforthehumanities.wordpress.com/232/"><img alt="" border="0" src="http://feeds.wordpress.com/1.0/delicious/thecenterforthehumanities.wordpress.com/232/" /></a> <a rel="nofollow" href="http://feeds.wordpress.com/1.0/gofacebook/thecenterforthehumanities.wordpress.com/232/"><img alt="" border="0" src="http://feeds.wordpress.com/1.0/facebook/thecenterforthehumanities.wordpress.com/232/" /></a> <a rel="nofollow" href="http://feeds.wordpress.com/1.0/gotwitter/thecenterforthehumanities.wordpress.com/232/"><img alt="" border="0" src="http://feeds.wordpress.com/1.0/twitter/thecenterforthehumanities.wordpress.com/232/" /></a> <a rel="nofollow" href="http://feeds.wordpress.com/1.0/gostumble/thecenterforthehumanities.wordpress.com/232/"><img alt="" border="0" src="http://feeds.wordpress.com/1.0/stumble/thecenterforthehumanities.wordpress.com/232/" /></a> <a rel="nofollow" href="http://feeds.wordpress.com/1.0/godigg/thecenterforthehumanities.wordpress.com/232/"><img alt="" border="0" src="http://feeds.wordpress.com/1.0/digg/thecenterforthehumanities.wordpress.com/232/" /></a> <a rel="nofollow" href="http://feeds.wordpress.com/1.0/goreddit/thecenterforthehumanities.wordpress.com/232/"><img alt="" border="0" src="http://feeds.wordpress.com/1.0/reddit/thecenterforthehumanities.wordpress.com/232/" /></a> <img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=thecenterforthehumanities.wordpress.com&amp;blog=28151715&amp;post=232&amp;subd=thecenterforthehumanities&amp;ref=&amp;feed=1" width="1" height="1" />]]></content:encoded>
			<wfw:commentRss>http://thecenterforthehumanities.wordpress.com/2011/11/02/still-searching-for-the-global-hip-hop-generation/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
	
		<media:content url="http://1.gravatar.com/avatar/959c343cb0a4b1dbb63803d823e5d431?s=96&#38;d=identicon&#38;r=G" medium="image">
			<media:title type="html">spludwin</media:title>
		</media:content>

		<media:content url="http://thecenterforthehumanities.files.wordpress.com/2011/10/verso-978-1-84467-741-2-close-to-the-edge.jpg?w=200" medium="image">
			<media:title type="html">Verso 978-1-84467-741-2 Close to the Edge</media:title>
		</media:content>
	</item>
		<item>
		<title>Tropic of Chaos: A Discussion with Christian Parenti</title>
		<link>http://thecenterforthehumanities.wordpress.com/2011/10/20/tropic-of-chaos-a-discussion-with-christian-parenti/</link>
		<comments>http://thecenterforthehumanities.wordpress.com/2011/10/20/tropic-of-chaos-a-discussion-with-christian-parenti/#comments</comments>
		<pubDate>Thu, 20 Oct 2011 20:59:13 +0000</pubDate>
		<dc:creator>Steven Pludwin</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[Christian Parenti]]></category>
		<category><![CDATA[Environmentalism]]></category>
		<category><![CDATA[Politics]]></category>
		<category><![CDATA[Tropic of Chaos]]></category>

		<guid isPermaLink="false">http://thecenterforthehumanities.wordpress.com/?p=164</guid>
		<description><![CDATA[By Michael Busch (This interview initially appeared on September 29th, 2011 at the Institute for Policy Studies Foreign Policy in Focus site. It is reposted here with permission from Michael Busch.) In many respects, 2011 has been marked as much by the mayhem of nature as it has by the upheavals of men. Although challenges [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=thecenterforthehumanities.wordpress.com&amp;blog=28151715&amp;post=164&amp;subd=thecenterforthehumanities&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<div>
<p>By <a href="http://buschbaby.typepad.com/buschbaby_blog/">Michael Busch</a></p>
<p>(This interview initially appeared on September 29th, 2011 at the <a href="http://www.fpif.org/articles/interview_with_christian_parenti">Institute for Policy Studies Foreign Policy in Focus site.</a> It is reposted here with permission from Michael Busch.)</p>
</div>
<div>
<p><img title="Christian Parenti" src="http://www.fpif.org/files/3679/Parenti_Christian.JPG?width=250" alt="Christian Parenti" width="250" height="166" />In many respects, 2011 has been marked as much by the mayhem of nature as it has by the upheavals of men. Although challenges to political authority have captured the imaginations of millions and produced exciting tremors of revolution across the continents, Mother Nature’s increasingly ferocious response to the heavy environmental footprint of industrial production will likely be judged the most profound source of social change around the world in the years to come.</p>
<p><span id="more-164"></span></p>
<p>From the Japanese tsunami, which triggered the worst nuclear crisis since Chernobyl, and the extreme drought that currently threatens the lives of millions in the Eastern Horn of Africa to the wildfires, hurricanes, and periodic flooding that have decimated both coasts of the richest country in the world, anthropogenic climate change is increasingly—and undeniably—at the core of politics and society everywhere in the world.</p>
<p><a href="http://www.amazon.com/Tropic-Chaos-Climate-Geography-Violence/dp/1568586000"><em>Tropic of Chaos</em>,</a> <a href="http://www.christianparenti.com/">Christian Parenti’s</a> excellent new book examining the intersections between climate change, neoliberal economic policy, and the spread of political violence, argues that the convergence of these threats to international security has set our world along a course that will result in a broken planet characterized by catastrophe, conflict, and xenophobic distrust. That is, unless meaningful action is taken immediately to reorient international relations away from this disastrous trajectory.</p>
<p>I recently spoke with Parenti &#8212; who has for several years been a visiting scholar at the <a href="http://pcp.gc.cuny.edu/">CUNY Center for Place, Culture, and Politics</a> and is currently visiting professor of sociology at <a href="http://www.brooklyn.cuny.edu/pub/index.php">Brooklyn College</a> &#8212; about his book, the future of climate wars, the failures of leadership in Washington and at the <a href="http://www.un.org/">UN</a> to combat environmental degradation, and what can be done to avoid a world driven by the politics of natural catastrophe.</p>
<p><strong><em>Michael Busch:</em></strong><em> I wanted to begin by briefly touching on the book’s title and, more importantly, discussing the theoretical concept that largely gives shape to the book’s narrative arc: what you refer to as the “catastrophic convergence.” Can you give us a sense of what you mean by each and talk about how they informed your research and analysis?  </em></p>
<p><strong>Christian Parenti:</strong> The “tropic of chaos” is less important than the “catastrophic convergence.” The tropic of chaos is more of a play on words that refers to the conditions in the Global South, which is that belt of post-colonial, underdeveloped, over-exploited states that mostly lie between the Tropic of Cancer and the Tropic of Capricorn. So, it’s sort of a name for that region of the world.</p>
<p>The “catastrophic convergence” is the driving thesis of the book, the argument that climate change doesn’t just look like tornadoes, floods, and droughts. It also looks like religious violence, ethnic pogroms, civil war, state failure, mass migration, counterinsurgency and anti-immigrant border militarization. And so, climate change rarely works on its own. Usually, it arrives in the Global South on a stage preset for crisis. The forces that have preset that stage are militarism and radical free-market restructuring—neoliberalism. Cold War militarism, and now the War on Terror, have flooded the Global South with cheap weapons and men trained in the arts of assassination and interrogation, smuggling, small unit attacks, and terrorism.  Neoliberalism has created increased poverty, increased inequality, and a tattered and stressed social fabric. As a result, it leads to less social solidarity. It damages and degrades traditional economies. And it makes more populations more vulnerable to sudden weather shocks, extreme climatic events like drought and flooding, which are due to anthropogenic climate change kicking in hard. And it is combining with these two preexisting crises—militarism and inequality/poverty—and the three of them are meeting in this catastrophic convergence and articulating themselves as increased violence. That can be religious violence, ethnic violence, sometimes class-based violence. Sometimes this is expressed as chaos and relative or outright state failure.</p>
<p>But in the Global North, the catastrophic convergence presents itself as a renewed emphasis on building-up the incipient police state that exists in many western European countries as well as the United States. So, we now have a reengagement with the discourse around border militarization, a reanimation of the xenophobic discourse that goes with those policies, which are increasingly articulated in environmental terms—there’s an environmental crisis; there’s not enough to go around; immigrants need to be rounded up; everybody needs to sacrifice some civil liberties; the border needs to be militarized. If climate change pushes chaos and state failure in the Global South, it creates authoritarian state hardening in the Global North, at least in its earliest stages.</p>
<p><strong><em>Michael Busch</em></strong><em>: You offer compelling evidence that although the American popular discourse is largely primitive and backwards when it comes to the politics of climate change, the U.S. military sees the challenges very clearly and informs to a great degree its doctrine on counter-insurgency. You argue that this gives life to “the politics of the armed life boat.” Can you talk more about how the U.S. military is responding to climate threats, and what you understand to be the prospects for survival in the armed life boat?</em></p>
<p><strong>Christian Parenti</strong>: The militarized response in the United States takes place in the military but also at the state level in the development of a green xenophobia. They aren’t necessarily connected, but they fundamentally produce the same thing, which is a hardening of state policy.  The military—to its credit—takes climate science very seriously. It does not question the validity of the <a href="http://www.ipcc.ch/">Intergovernmental Panel on Climate Change’s (IPCC) Fourth Assessment Report</a>, which is the last one to be published, the one that was attacked because it had a few footnotes that were wrong. And they <em>were</em> wrong. There was stupid, arrogant stuff around those errors, but the errors and their correction in no way change the conclusions of the IPCC’s Fourth Assessment Report. The military takes the report seriously unlike, say, the Republican leadership in the House or many other elements of the American political class.</p>
<p>The military runs scenarios of what the future will bring. What they see is not so much an increase in conventional warfare between states as an increase in humanitarian crisis, civil war, banditry, religious wars, state breakdown. And they realize that the armed forces will be called on to respond with various forms of low-intensity conflict: counter-insurgency, direct intervention, humanitarian intervention, shoring-up allied states, as well as increased training and advisory roles in these conflicts. The future for them is essentially one of open-ended counterinsurgency on a global scale as articulated through these various reports, some of them public, some of them secret.</p>
<p style="text-align:left;">In terms of the ethics of the armed life boat, which would seek to manage this crisis of a planet in decline and manage it through the use of force, examples can be found on right-wing talk radio, which calls for expelling immigrants, or in people like Deborah Walker, who I discuss in the book. Walker describes herself as a northern Californian environmentalist. She’s also an anti-immigrant xenophobe and racist. And then there’s the <a href="http://www.fairus.org/site/PageNavigator/homepagenew?gclid=CKO7leCF-KsCFQ475QodMVA7Mg">Federation for American Immigration Reform (FAIR)</a>, which I didn’t address in the book because I didn’t know about it; it was only exposed after the book was published, FAIR is the original anti-immigrant lobby group associated with <a href="http://www.garretthardinsociety.org/gh/about_gh.html">Garrett Hardin</a> and others. It started a front group called <a href="http://www.progressivesforimmigrationreform.org/">Progressives for Immigration Reform</a> that was seeking to reach out to environmentalists and progressives with a message of excluding immigrants, talking about the carrying capacity of the country, and making the case that immigrants, essentially, should be repressed.</p>
<p>These are the current features of this state hardening. One can imagine how this project of border militarization and planetary management through counterinsurgency and counterterrorism could build around it a kind of paranoid, frightened, xenophobic consent among more and more Americans. And that would be the politics of the armed life boat: the idea that we have ours, the world is ending, and we need to hold on for as long as we can through the force of arms. The military—again to its credit—does not think this is a good long-term plan. They always say that this stuff has to be dealt with through the reduction of carbon emissions. Otherwise, we are going to hit all the tipping points climatologically, which will lead to self-compounding climate change and the unleashing of such radical transformations in weather patterns that it will be very hard for civilization to hold on. Radically rising sea levels and the massive desertification of the grain baskets of the world, among other problems, will make it very hard for even the most developed economies to survive. That’s what scientists predict and project if we continue with business-as-usual, which is burning fossil fuels.</p>
<p><strong><em>Michael Busch:</em></strong><em> Let’s talk about water for a moment, a point of hope for some environmentalists insofar as it seems to be one of the few things that states have a interest in securing and a resource around which even antagonists—such as India and Pakistan—can cooperate.  You take on a variety of this argument, that “water is rational,” when it comes to something like the <a href="http://web.worldbank.org/WBSITE/EXTERNAL/COUNTRIES/SOUTHASIAEXT/0,,contentMDK:20320047%7EpagePK:146736%7EpiPK:583444%7EtheSitePK:223547,00.html">Indus Water Treaty</a>, and question its long-term viability. Talk about where things currently stand and what you see as the prospects for the treaty’s continuing functioning in the future?</em></p>
<p><strong>Christian Parenti:</strong> The Indus water treaty <em>is</em> remarkable insofar as it has worked for as long as it has. It was signed in 1960, negotiated in 1959, but it is fraying in part because climate change planners and elites in each country are very much aware that water resources are going to be increasingly scarce. So India is building lots of dams and canals on its side of the border and claims that it is not violating the treaty, that it has the right to use the water under the treaty—which it does—as long as it doesn’t diminish the flow. But then Pakistan argues that there <em>is</em> diminished flow, which contributes to their suspicion of India. Pakistan believes that India is not simply impounding the water but actually siphoning it off. And increasingly we witness this entering the discourse of the radical religious right in Pakistan, the asymmetrical assets that have been cultivated by Pakistani intelligence like Lashkar-e-Taiba and Jama&#8217;at-ud-Da&#8217;wah, which recently made statements about India’s “water terrorism” and how water must flow or else blood will. So the issue is becoming more intense.</p>
<p>As to the question of whether or not the treaty can be maintained, that’s an open question in part because the threat of climate change is suddenly part of the equation but also because there’s just horrendously bad management of the agreement, in Pakistan especially, where there is very little productive adaptation. I wrote a piece in <a href="http://www.thenation.com/"><em>The Nation</em></a> recently about just this. The core of any climate adaptation in Pakistan would be social justice and land reform. No elites in Pakistan are willing to consider this, however, nor do aid agencies make this a condition of development aid, and the U.S. government doesn’t want to talk about it. There is a tradition of progressive movements in Pakistan, but they have suffered tremendous repression and their demands for economic redistribution go unanswered. As a result, even after the recent horrendous flooding, there has been no movement on the issue toward land redistribution and social justice, out of which might have come some better water management strategies, not to mention better use of the land.</p>
<p><strong><em>Michael Busch:</em></strong><em> The ability of the world to mitigate the worst effects of climate change will largely depend on multilateral efforts at containing the damage.  The UN has traditionally been the center of gravity for this effort, and yet it’s largely been a failure. Copenhagen was a disaster, and Cancun only cleaned up some of the mess. Among other problems, the secretary general has been almost entirely absent as a force in these proceedings, and as you point out, the United States, the necessary prime mover in all of this, hasn’t assumed leadership on the issue.  Why is that, do you think?  Can you talk about how you view the Obama administration’s record on the environment thus far, and what you think can be done to reorient Washington toward more productive action?  </em></p>
<p><strong>Christian Parenti:</strong> The way you framed it is correct. The United States has played a non-productive role, a destructive role. It has not taken the UN Framework Convention on Climate Change negotiations seriously, and as a result they have broken down. We are the largest economy in the world, and until recently we were the largest greenhouse gas emitter in the world before China overtook us. The world looks to the United States for leadership but U.S. actions, especially at Copenhagen, were really depressing. As a result those talks fell apart, though the process limps on toward its next round of negotiations in Durban South Africa.</p>
<p>What will change the U.S. position? Protest, clearly. There has to be a movement that forces the Obama administration to do this. The Obama administration is proving itself to be very right-wing on many issues, including this one. It just hasn’t been good on climate even as the majority of people who elected him take climate change very seriously and care deeply about the issue.  And so, I think there needs to be a movement to pressure him. There <em>are</em> campaigns underway that can do just that.  For instance, there is <a href="http://beyondcoal.org/">Beyond Coal</a>, a big campaign sponsored by the <a href="http://www.sierraclub.org/">Sierra Club</a> under the leadership of <a href="http://www.sierraclub.org/ed/">Michael Brune</a>, and the work that <a href="http://www.greenpeace.org/usa/en/">Greenpeace</a>, <a href="http://ran.org/">Rainforest Action Network</a>, the direct action group <a href="http://rampscampaign.org/">Radical Action for Mountain People Survival</a>, and long-struggling local groups like the <a href="http://www.ohvec.org/">Ohio Valley Environmental Coalition</a> are doing to stop mountain-top removal coal mining and coal plant production. Using everything from direct action to lawsuits and lobbying, this array of groups has helped stop the construction of about 130 coal plants.</p>
<p>So, there are campaigns like the fight against coal that people should get involved with. There’s also the actions that were taken in August to oppose the <a href="http://www.foe.org/keystone-xl-pipeline">Keystone XL pipeline</a> that would run Canadian tar sand slurry through the United States and down to the Gulf for final refining and  export, where people committed acts of civil disobedience in Washington, DC. These kinds of things need to be done.</p>
<p>Beyond that, I think organized labor has to begin taking climate change seriously. The main thing that organized labor has done recently was <a href="http://www.aflcio.org/aboutus/thisistheaflcio/leaders/officers.cfm">Rich Trumka</a> urging President Obama to take China to the <a href="http://www.wto.org/">World Trade Organization</a> because Beijing was subsidizing its clean tech sector. In the name of competitiveness, the <a href="http://www.aflcio.org/">AFL-CIO</a> is trying to cut Chinese subsidies, which they will not be able to do, first of all. And second of all, they’re not demanding similar subsidies here in the United States that would put people back to work. It’s pathetic. So, all the various institutions of the left need to take climate change seriously and start building a movement to pressure government to make it an issue on the international stage.</p>
<p>Now, in terms of what the Obama administration could do to reduce emissions: if it wanted to engage the UN process, there’s a lot that can be done without having to go and get permission from the Republicans.</p>
<p>The <a href="http://www.epa.gov/">EPA</a>, for one, has the obligation to regulate greenhouse gas emissions. This is the result of environmental groups suing and fighting in court for 10 years—and finally winning at the Supreme Court level—to get the EPA to consider greenhouse gas emissions under the<a href="http://www.epa.gov/air/caa/"> 1970 Clean Air Act</a>, which holds that if emissions are dangerous to human health then they have to be regulated. And sure enough, greenhouse gas emissions <em>are</em> dangerous to human health due to their adverse effects on the environment. Therefore, the EPA has an obligation to regulate them and has just begun promulgating these rules. Unfortunately, they are not very robust. In fact, they’re pretty lame, and the administration is dragging its feet on the issuance of these rules by building in delays. If the EPA were serious and really imposed strict rules, say, on smoke stacks in coal plants and oil refineries it could effectively push investment toward clean technology as the rising cost of dirty energy and carbon emissions would drive people away from it.</p>
<p>The other thing the government could do is leverage its tremendous purchasing power. If state purchasing of vehicles and electric power were done according to environmentally clean specifications, the public sector’s carbon footprint would be substantially reduced. At the same time, it would also likely create knock-on effects in the private sector by allowing the burgeoning clean-tech sector to achieve economies of scale and provide its energy, vehicles, and services at a rate that is cost competitive with diesel fuel and gasoline.</p>
<p><strong><em>Michael Busch:</em></strong><em> As power shifts from west to east with the so-called rise of China, many warn that China’s growing political and economic might is being built on the back of environmental degradation, which is only further exacerbating climate change internationally.  In the book, though, you briefly mention that China is beginning to move to clean technology production.  Can you give us a sense of how Beijing’s approach has differed from that of Washington, and what the likely outcome might be?  </em></p>
<p><strong>Christian Parenti:</strong> I don’t think that China’s approach is that well-organized, yet. The main thing to keep in mind, though, is that Beijing’s actions aren’t motivated by some high-minded concern about climate change. The issue of local pollution has really driven China to embrace clean technology. Take the wind sector, for example, which is growing at something like 20 percent a year in China. They invited in all the Western firms—<a href="http://www.gamesa.es/en/">Gamesa</a>, <a href="http://www.vestas.com/">Vestas</a>, <a href="http://www.ge.com/">GE</a>—then essentially counterfeited their technology. Then China invited these firms to take, in the case of GE, 2 percent of the market. GE could go to war with them and say “hey, you stole our technology” and try to prove it in court, which would only get them shut out of the Chinese market. Or they can just shut up and take 2 percent of a market that is growing very, very fast. Needless to say, they have chosen the latter.</p>
<p>The one lesson we can take from China is the same lesson that most of the Asian economies remind us of, which is that capitalism develops best when there is a strong state guiding it. Capitalists and capital need discipline, they need to <em>be</em> disciplined. They need to be taxed, and their investments need to be guided by the state because when the market is left to its own self-regulation—which is the ideological preference and prevailing ethos of our political class—you do not get the types of innovations and hothouse developments that have characterized industrialization throughout East Asia. The command model of capitalism that China has embraced—a version of what was done in South Korea, Singapore, Taiwan, and Hong Kong—this <em>dirigiste</em> model is quite effective in potentially mitigating the worst abuses of people and nature committed by capitalism while at the same time encouraging its better, Promethean qualities.</p>
<p>After all, Marx not only ruthlessly criticized capitalism, he also praised its ability to create enormous amounts of wealth and technology and transform the face of the planet. That is essentially what we have done in a bad way with fossil fuels. But we need to push on through it and have a reindustrialization around clean technology. I do not think a retreat from industry back to the local is in any way realistic. We have to accelerate through this crisis and come out the other end with clean technologies. That means that we can’t keep flying around everywhere, driving big cars and generally being wasteful. We have to consume less and transform the way we live, radically. But we aren’t going to do that by turning our backs on machinery and electricity. We need windmills. If we don’t get them, we are going to continue burning coal and field-stripping our AK-47s in preparation for our neighbor’s next attack on the bunker.</p>
</div>
<br />  <a rel="nofollow" href="http://feeds.wordpress.com/1.0/gocomments/thecenterforthehumanities.wordpress.com/164/"><img alt="" border="0" src="http://feeds.wordpress.com/1.0/comments/thecenterforthehumanities.wordpress.com/164/" /></a> <a rel="nofollow" href="http://feeds.wordpress.com/1.0/godelicious/thecenterforthehumanities.wordpress.com/164/"><img alt="" border="0" src="http://feeds.wordpress.com/1.0/delicious/thecenterforthehumanities.wordpress.com/164/" /></a> <a rel="nofollow" href="http://feeds.wordpress.com/1.0/gofacebook/thecenterforthehumanities.wordpress.com/164/"><img alt="" border="0" src="http://feeds.wordpress.com/1.0/facebook/thecenterforthehumanities.wordpress.com/164/" /></a> <a rel="nofollow" href="http://feeds.wordpress.com/1.0/gotwitter/thecenterforthehumanities.wordpress.com/164/"><img alt="" border="0" src="http://feeds.wordpress.com/1.0/twitter/thecenterforthehumanities.wordpress.com/164/" /></a> <a rel="nofollow" href="http://feeds.wordpress.com/1.0/gostumble/thecenterforthehumanities.wordpress.com/164/"><img alt="" border="0" src="http://feeds.wordpress.com/1.0/stumble/thecenterforthehumanities.wordpress.com/164/" /></a> <a rel="nofollow" href="http://feeds.wordpress.com/1.0/godigg/thecenterforthehumanities.wordpress.com/164/"><img alt="" border="0" src="http://feeds.wordpress.com/1.0/digg/thecenterforthehumanities.wordpress.com/164/" /></a> <a rel="nofollow" href="http://feeds.wordpress.com/1.0/goreddit/thecenterforthehumanities.wordpress.com/164/"><img alt="" border="0" src="http://feeds.wordpress.com/1.0/reddit/thecenterforthehumanities.wordpress.com/164/" /></a> <img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=thecenterforthehumanities.wordpress.com&amp;blog=28151715&amp;post=164&amp;subd=thecenterforthehumanities&amp;ref=&amp;feed=1" width="1" height="1" />]]></content:encoded>
			<wfw:commentRss>http://thecenterforthehumanities.wordpress.com/2011/10/20/tropic-of-chaos-a-discussion-with-christian-parenti/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
	
		<media:content url="http://1.gravatar.com/avatar/959c343cb0a4b1dbb63803d823e5d431?s=96&#38;d=identicon&#38;r=G" medium="image">
			<media:title type="html">spludwin</media:title>
		</media:content>

		<media:content url="http://www.fpif.org/files/3679/Parenti_Christian.JPG?width=250" medium="image">
			<media:title type="html">Christian Parenti</media:title>
		</media:content>
	</item>
		<item>
		<title>Citizenship as Identity</title>
		<link>http://thecenterforthehumanities.wordpress.com/2011/10/17/citizenship-as-identity/</link>
		<comments>http://thecenterforthehumanities.wordpress.com/2011/10/17/citizenship-as-identity/#comments</comments>
		<pubDate>Mon, 17 Oct 2011 21:56:59 +0000</pubDate>
		<dc:creator>Steven Pludwin</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[American Studies]]></category>
		<category><![CDATA[Citizenship]]></category>
		<category><![CDATA[Law]]></category>
		<category><![CDATA[Leti Volpp]]></category>
		<category><![CDATA[Political Theory]]></category>

		<guid isPermaLink="false">http://thecenterforthehumanities.wordpress.com/?p=103</guid>
		<description><![CDATA[On Friday October 14th, Leti Volpp, professor of law at Berkeley, attended the Revolutionizing American Studies seminar at the Center for the Humanities to discuss the concept of citizenship prior to her afternoon talk on the indigenous as alien. Here are the opening remarks for the seminar given by Cambridge Ridley Lynch, reposted with her [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=thecenterforthehumanities.wordpress.com&amp;blog=28151715&amp;post=103&amp;subd=thecenterforthehumanities&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<p>On Friday October 14th, <a href="http://www.law.berkeley.edu/php-programs/faculty/facultyProfile.php?facID=5728">Leti Volpp</a>, professor of law at Berkeley, attended the <a href="http://centerforthehumanities.org/content/revolutionizing-american-studies">Revolutionizing American Studies seminar</a> at the <a href="http://centerforthehumanities.org">Center for the Humanities</a> to discuss the concept of citizenship prior to her afternoon talk on the <a href="http://centerforthehumanities.org/events/indigenous-alien">indigenous as alien</a>. Here are the opening remarks for the seminar given by <a href="http://commons.gc.cuny.edu/members/crlynch/">Cambridge Ridley Lynch</a>, reposted with her permission from the <a href="http://revolutionizingamericanstudies.commons.gc.cuny.edu/">Revolutionizing American Studies blog.</a></p>
<p>&nbsp;</p>
<h2><a title="Permalink to Opening Remarks for Leti Volpp Seminar" href="http://revolutionizingamericanstudies.commons.gc.cuny.edu/2011/10/17/opening-remarks-for-leti-volpp-seminar/" rel="bookmark"><span id="more-103"></span>Opening Remarks for Leti Volpp Seminar</a></h2>
<div>Posted on <a title="8:01 am" href="http://revolutionizingamericanstudies.commons.gc.cuny.edu/2011/10/17/opening-remarks-for-leti-volpp-seminar/" rel="bookmark">October 17, 2011</a> by <a title="View all posts by Cambridge Ridley Lynch" href="http://revolutionizingamericanstudies.commons.gc.cuny.edu/author/crlynch/">Cambridge Ridley Lynch</a></div>
<div>
<p>Dear all,</p>
<p>I hope you found Friday’s events as interesting as I did–between the two papers we discussed at 12:30 pm (“‘Obnoxious To Their Very Nature’: Asian Americans and Constitutional Citizenship” and “The Citizen and the Terrorist”) and Professor Volpp’s illuminating and detailed account of indigenous peoples and immigration law at 4 pm, I started my weekend with a lot to mull over.</p>
<p>Below you will find my introductory remarks for the seminar discussion. We moved away from some of the questions I had initially asked and towards a nuanced discussion of the concept of citizenship, so if anyone–including those who were absent–has any further thoughts, please feel free to voice them in the comments:</p>
<p><em>In the readings for today’s seminar, Professor Volpp leads us to ask important questions about the nature of citizenship. Her work is predicated in part on the multivalent qualities of the very word “citizenship”: using a rubric developed by Linda Bosniak, Volpp interrogates four separate versions of citizenship: “citizenship as legal status, citizenship as rights, citizenship as political activity, and citizenship as identity/solidarity” (“Obnoxious,” 5). In her studies of both Asian-Americans and Arab-Americans, Professor Volpp is able to identify a troubling truth about the nature of the United States polity: “the guarantees of citizenship as status, rights, and politics are insufficient to produce citizenship as identity,” a process which, in turn, forecloses the ability of minority citizens to fully exercise and enjoy their political and legal rights (“Terrorist,” 6). To say that untangling this complicated notion of citizenship—and most importantly, its bearing on race—is important in a democratic society like ours is an understatement.</em></p>
<p><em>There are many fascinating elements to each article that invite more detailed discussion, but I’d like to embark on a series of initial questions that explicitly link the two communities described.</em></p>
<p><em>One theme is that the exclusion of some minorities can benefit others—if, in “The Citizen and the Terrorist,” “other people of color have become ‘American’ through the process of endorsing racial profiling” (3), how do we reconcile—or, perhaps, break the cycle of—a process of othering that both helps mitigate historical structures of exclusion while transferring those same structures to another minority community? This is tied to Professor Volpp’s call for a “new form of struggle” (“Obnoxious,”12) and her note that the post-September 11 age might be “a moment for constructing coalitions” (“Terrorist,” 4), but just how can we extricate individual communities and society at large from this cycle, especially when it seems that we are caught in a Foucauldian structure of discipline or, at the very least, a democratic process that relies on exclusion as a foundational element in its construction of identity? </em></p>
<p><em>And, if hatred of Muslims since September 11 has ostensibly benefited perceptions towards the “legitimacy” of some Asian American communities, it seems that the recent fiasco over Amy Chua’s concept of the “Tiger Mother” indicates that a concern with Chinese foreignness has survived in another form, from geopolitical identification to a hard-wired cultural one: the idea of a Chinese spy has perhaps been replaced by the idea of the Chinese-American automata, trained with precision to succeed academically but woefully inadequate in common “American” social skills. An exploration of this attitude can be found in a subsequent long-form article by Wesley Yang in New York Magazine, entitled “Paper Tigers”—suggesting that for some 2<sup>nd</sup>-generation Chinese Americans, their very sense of personal identity is flimsy and two-dimensional. And although Yang is attempting to work through some of the very stereotypes that determine this point of view, it seems significant that Chinese Americans continue to be identified by their inability to fully assimilate into mainstream American culture—and therefore, still cannot be trusted to a full understanding of American citizenship. I ask this because I wonder if the process of othering doesn’t just get redirected into increasingly intangible ad insidious structures of exclusion.</em></p>
<p><em>In short, Professor Volpp’s articles are immensely important to our interrogating the inequalities of democratic American society. But I was also led to wonder: which is more devastating—explicit hatred of Arab-Americans, which is easier in some ways to identify and act against, or the subtle and continued marginalization of Asian-Americans? Is this process of exclusion merely an unending continuum? And finally, must we accept that the consolidation of American identity requires an “other” to define itself by going forward?</em></p>
</div>
<br />  <a rel="nofollow" href="http://feeds.wordpress.com/1.0/gocomments/thecenterforthehumanities.wordpress.com/103/"><img alt="" border="0" src="http://feeds.wordpress.com/1.0/comments/thecenterforthehumanities.wordpress.com/103/" /></a> <a rel="nofollow" href="http://feeds.wordpress.com/1.0/godelicious/thecenterforthehumanities.wordpress.com/103/"><img alt="" border="0" src="http://feeds.wordpress.com/1.0/delicious/thecenterforthehumanities.wordpress.com/103/" /></a> <a rel="nofollow" href="http://feeds.wordpress.com/1.0/gofacebook/thecenterforthehumanities.wordpress.com/103/"><img alt="" border="0" src="http://feeds.wordpress.com/1.0/facebook/thecenterforthehumanities.wordpress.com/103/" /></a> <a rel="nofollow" href="http://feeds.wordpress.com/1.0/gotwitter/thecenterforthehumanities.wordpress.com/103/"><img alt="" border="0" src="http://feeds.wordpress.com/1.0/twitter/thecenterforthehumanities.wordpress.com/103/" /></a> <a rel="nofollow" href="http://feeds.wordpress.com/1.0/gostumble/thecenterforthehumanities.wordpress.com/103/"><img alt="" border="0" src="http://feeds.wordpress.com/1.0/stumble/thecenterforthehumanities.wordpress.com/103/" /></a> <a rel="nofollow" href="http://feeds.wordpress.com/1.0/godigg/thecenterforthehumanities.wordpress.com/103/"><img alt="" border="0" src="http://feeds.wordpress.com/1.0/digg/thecenterforthehumanities.wordpress.com/103/" /></a> <a rel="nofollow" href="http://feeds.wordpress.com/1.0/goreddit/thecenterforthehumanities.wordpress.com/103/"><img alt="" border="0" src="http://feeds.wordpress.com/1.0/reddit/thecenterforthehumanities.wordpress.com/103/" /></a> <img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=thecenterforthehumanities.wordpress.com&amp;blog=28151715&amp;post=103&amp;subd=thecenterforthehumanities&amp;ref=&amp;feed=1" width="1" height="1" />]]></content:encoded>
			<wfw:commentRss>http://thecenterforthehumanities.wordpress.com/2011/10/17/citizenship-as-identity/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
	
		<media:content url="http://1.gravatar.com/avatar/959c343cb0a4b1dbb63803d823e5d431?s=96&#38;d=identicon&#38;r=G" medium="image">
			<media:title type="html">spludwin</media:title>
		</media:content>
	</item>
		<item>
		<title>Neurocultures&#8230;</title>
		<link>http://thecenterforthehumanities.wordpress.com/2011/10/17/monday-morning-coffee-2/</link>
		<comments>http://thecenterforthehumanities.wordpress.com/2011/10/17/monday-morning-coffee-2/#comments</comments>
		<pubDate>Mon, 17 Oct 2011 01:34:35 +0000</pubDate>
		<dc:creator>Steven Pludwin</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[Contemporary art and neuroscience]]></category>
		<category><![CDATA[Neurocultures]]></category>
		<category><![CDATA[Suzanne Anker]]></category>

		<guid isPermaLink="false">http://thecenterforthehumanities.wordpress.com/?p=17</guid>
		<description><![CDATA[At the intersections of contemporary art and neuroscience with Suzanne Anker&#8217;s MRI Butterfly. Enjoy!<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=thecenterforthehumanities.wordpress.com&amp;blog=28151715&amp;post=17&amp;subd=thecenterforthehumanities&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<p>At the intersections of <a href="http://centerforthehumanities.org/content/neurocultures">contemporary art and neuroscience</a> with <a href="http://www.suzanneanker.com/">Suzanne Anker&#8217;s</a> MRI Butterfly. Enjoy!</p>
<p><span style="text-align:center; display: block;"><a href="http://thecenterforthehumanities.wordpress.com/2011/10/17/monday-morning-coffee-2/"><img src="http://img.youtube.com/vi/nJlf5SB38pk/2.jpg" alt="" /></a></span></p>
<br />  <a rel="nofollow" href="http://feeds.wordpress.com/1.0/gocomments/thecenterforthehumanities.wordpress.com/17/"><img alt="" border="0" src="http://feeds.wordpress.com/1.0/comments/thecenterforthehumanities.wordpress.com/17/" /></a> <a rel="nofollow" href="http://feeds.wordpress.com/1.0/godelicious/thecenterforthehumanities.wordpress.com/17/"><img alt="" border="0" src="http://feeds.wordpress.com/1.0/delicious/thecenterforthehumanities.wordpress.com/17/" /></a> <a rel="nofollow" href="http://feeds.wordpress.com/1.0/gofacebook/thecenterforthehumanities.wordpress.com/17/"><img alt="" border="0" src="http://feeds.wordpress.com/1.0/facebook/thecenterforthehumanities.wordpress.com/17/" /></a> <a rel="nofollow" href="http://feeds.wordpress.com/1.0/gotwitter/thecenterforthehumanities.wordpress.com/17/"><img alt="" border="0" src="http://feeds.wordpress.com/1.0/twitter/thecenterforthehumanities.wordpress.com/17/" /></a> <a rel="nofollow" href="http://feeds.wordpress.com/1.0/gostumble/thecenterforthehumanities.wordpress.com/17/"><img alt="" border="0" src="http://feeds.wordpress.com/1.0/stumble/thecenterforthehumanities.wordpress.com/17/" /></a> <a rel="nofollow" href="http://feeds.wordpress.com/1.0/godigg/thecenterforthehumanities.wordpress.com/17/"><img alt="" border="0" src="http://feeds.wordpress.com/1.0/digg/thecenterforthehumanities.wordpress.com/17/" /></a> <a rel="nofollow" href="http://feeds.wordpress.com/1.0/goreddit/thecenterforthehumanities.wordpress.com/17/"><img alt="" border="0" src="http://feeds.wordpress.com/1.0/reddit/thecenterforthehumanities.wordpress.com/17/" /></a> <img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=thecenterforthehumanities.wordpress.com&amp;blog=28151715&amp;post=17&amp;subd=thecenterforthehumanities&amp;ref=&amp;feed=1" width="1" height="1" />]]></content:encoded>
			<wfw:commentRss>http://thecenterforthehumanities.wordpress.com/2011/10/17/monday-morning-coffee-2/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
	
		<media:content url="http://1.gravatar.com/avatar/959c343cb0a4b1dbb63803d823e5d431?s=96&#38;d=identicon&#38;r=G" medium="image">
			<media:title type="html">spludwin</media:title>
		</media:content>
	</item>
		<item>
		<title>What is Conservatism? Probably not what you think.</title>
		<link>http://thecenterforthehumanities.wordpress.com/2011/10/10/what-is-conservatism-probably-not-what-you-think/</link>
		<comments>http://thecenterforthehumanities.wordpress.com/2011/10/10/what-is-conservatism-probably-not-what-you-think/#comments</comments>
		<pubDate>Mon, 10 Oct 2011 20:54:27 +0000</pubDate>
		<dc:creator>Steven Pludwin</dc:creator>
				<category><![CDATA[Featured]]></category>
		<category><![CDATA[American Politics]]></category>
		<category><![CDATA[Chris Hayes]]></category>
		<category><![CDATA[Conservatism]]></category>
		<category><![CDATA[Corey Robin]]></category>
		<category><![CDATA[featured]]></category>
		<category><![CDATA[Political Theory]]></category>
		<category><![CDATA[The Reactionary Mind: Conservatism from Edmund Burke to Sarah Palin]]></category>

		<guid isPermaLink="false">http://thecenterforthehumanities.wordpress.com/?p=32</guid>
		<description><![CDATA[This past Thursday, Chris Hayes, Editor-at-Large at The Nation and MSNBC host, sat down with Corey Robin, professor of political science at the CUNY Graduate Center and Brooklyn College, to discuss his new book, The Reactionary Mind: Conservatism from Edmund Burke to Sarah Palin. The fact that it was standing room only should come as [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=thecenterforthehumanities.wordpress.com&amp;blog=28151715&amp;post=32&amp;subd=thecenterforthehumanities&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<p style="text-align:left;">This past Thursday, <a href="http://www.chrishayes.org/about/bio/">Chris Hayes</a>, Editor-at-Large at <a href="http://www.thenation.com/">The Nation</a> and <a href="http://upwithchrishayes.msnbc.msn.com/">MSNBC</a> host, sat down with <a href="http://coreyrobin.com/">Corey Robin</a>, professor of political science at the <a href="http://www.gc.cuny.edu/">CUNY Graduate Center</a> and <a href="http://www.brooklyn.cuny.edu/pub/index.php">Brooklyn College</a>, to discuss his new book, <a href="http://www.amazon.com/Reactionary-Mind-Conservatism-Edmund-Burke/dp/0199793743/ref=sr_1_sc_1?ie=UTF8&amp;qid=1318272092&amp;sr=8-1-spell"><em>The Reactionary Mind: Conservatism from Edmund Burke to Sarah Palin</em></a>. The fact that it was standing room only should come as no surprise given the topic of Robin’s latest work and the discussions it has already provoked since its release <a href="http://coreyrobin.com/2011/10/01/baubles-bangles-and-tweets-reactions-to-the-reactionary-mind/">(see the compilation of early reviews and interviews here)</a>. The exchange was as productive as it was entertaining. The relaxed format and the ease with which Hayes and Robin played off one another allowed for a clear and thoughtful exposition of the ideas in Robin’s book. In case you missed it, here are some of the highlights:</p>
<p style="text-align:left;"><span id="more-32"></span></p>
<p style="text-align:left;">Robin began by clarifying the central claims of the book, which levels a serious challenge to conventional thinking about conservatism. For Robin, conservatism is not,</p>
<ul style="text-align:left;">
<li>a philosophy about managing change or an apprehension about change in the abstract</li>
<li>a philosophy of freedom</li>
<li>a political movement committed to limited government and liberty</li>
</ul>
<p style="text-align:left;">So if conservatism isn’t any of the things most often associated with conservative politics, then what is it?</p>
<p style="text-align:left;">For starters, conservatism is not new. Dating back to the French Revolution and finding its intellectual roots in the writings of <a href="http://plato.stanford.edu/entries/burke/">Edmund Burke</a>, conservatism is a philosophy about managing a certain type of change – specifically a change in social relationships of power. According to Robin, conservatism has been most concerned throughout its history with resisting the assertion of agency by subordinate classes – slaves, women, workers, and minorities. It is the disruption of power relations and challenges to hierarchical arrangements that the conservative responds and reacts to.</p>
<p style="text-align:left;">With this in mind, Robin deconstructs the all too familiar right/left binary that positions conservatism as a movement committed to the preservation of freedom against a left project that is primarily concerned with equality at the expense of liberty. The binary, an invention of conservatism itself, conceals the fact that the real opposition is actually between domination and the expansion of freedom. The conservative critique of the state and the idea of state tyranny notwithstanding, Robin argues that conservatism is most concerned with maintaining what he calls “the private life of power,” that is, relations of domination in the family and the workplace.</p>
<p style="text-align:left;">To be sure, Robin is not the first to cast the family and the workplace as spaces of domination. But being first on the scene is beside the point. For Robin, in the same way that <a href="http://www.pbs.org/stantonanthony/">Elizabeth Cady Stanton</a> understood that male reluctance to extend the franchise was tied to an unwillingness to relinquish control in the home or <a href="http://plato.stanford.edu/entries/marx/">Marx’s</a> assertion at the end of Part Two of <a href="http://www.marxists.org/archive/marx/works/1867-c1/">Capital Volume One</a> that to understand the true nature of the relationship between capitalist and worker one would have to go through the door marked “No admittance except on business,” conservatives know what&#8217;s at stake in these domains. And because they understand the stakes, they respond most severely when attempts are made to disrupt the prevailing power hierarchy from below.</p>
<p style="text-align:left;">This brings me to perhaps the most provocative and important takeaway from Robin’s argument: conservatism is creative. He argues that conservatism&#8217;s force is its ability to understand that politics is more concerned with the contingent than the planned and the unexpected rather than the ordinary. It is a praxis oriented politics that is more bricolage than blueprint, engaged in a constant borrowing and assembling of various concepts, ideas, positions and tactics in its attempt to respond to the democratic upheavals it fears most. Often, like Burke, looking to the very revolutions it opposes as its tutor and guide.</p>
<p style="text-align:left;">This will no doubt upset those on the liberal/left who read conservatism as a strictly emotional, instinctive or even downright stupid political movement. In fact, Robin knows to expect some backlash when he writes, on page 17, that “The notion that conservative ideas are a mode of counterrevolutionary practice is likely to raise some eyebrows, even hackles.” Indeed the backlash has already begun. To get a taste, check out <a href="https://polisci.barnard.edu/profiles/sheri-berman">Sheri Berman’s</a> piece in this past Sunday’s<a href="http://www.nytimes.com/2011/10/09/books/review/the-reactionary-mind-by-corey-robin-book-review.html?_r=1"> <em>New York Times Book Review</em></a>. (<a href="http://coreyrobin.com/2011/10/07/the-new-york-times-review-of-the-reactionary-mind-my-response/">you can read Robin’s response here</a>).</p>
<p style="text-align:left;">Admittedly, there is much more in Robin&#8217;s book worthy of discussion than I can treat here. For instance, his revisionist reading of Burke, his analysis of conservatism&#8217;s relationship to violence and the conservative politics of loss. But ultimately, what makes <em>The Reactionary Mind</em> worth reading is its ability to push against convention, taking on some of the most basic assumptions about conservatism in American political discourse today. It is this combination of intellectual rigor and a courageous willingness to challenge prevailing wisdom that makes Robin&#8217;s book a must read for anyone who seriously wishes to understand and engage conservatism as an intellectual and political movement.</p>
<br />  <a rel="nofollow" href="http://feeds.wordpress.com/1.0/gocomments/thecenterforthehumanities.wordpress.com/32/"><img alt="" border="0" src="http://feeds.wordpress.com/1.0/comments/thecenterforthehumanities.wordpress.com/32/" /></a> <a rel="nofollow" href="http://feeds.wordpress.com/1.0/godelicious/thecenterforthehumanities.wordpress.com/32/"><img alt="" border="0" src="http://feeds.wordpress.com/1.0/delicious/thecenterforthehumanities.wordpress.com/32/" /></a> <a rel="nofollow" href="http://feeds.wordpress.com/1.0/gofacebook/thecenterforthehumanities.wordpress.com/32/"><img alt="" border="0" src="http://feeds.wordpress.com/1.0/facebook/thecenterforthehumanities.wordpress.com/32/" /></a> <a rel="nofollow" href="http://feeds.wordpress.com/1.0/gotwitter/thecenterforthehumanities.wordpress.com/32/"><img alt="" border="0" src="http://feeds.wordpress.com/1.0/twitter/thecenterforthehumanities.wordpress.com/32/" /></a> <a rel="nofollow" href="http://feeds.wordpress.com/1.0/gostumble/thecenterforthehumanities.wordpress.com/32/"><img alt="" border="0" src="http://feeds.wordpress.com/1.0/stumble/thecenterforthehumanities.wordpress.com/32/" /></a> <a rel="nofollow" href="http://feeds.wordpress.com/1.0/godigg/thecenterforthehumanities.wordpress.com/32/"><img alt="" border="0" src="http://feeds.wordpress.com/1.0/digg/thecenterforthehumanities.wordpress.com/32/" /></a> <a rel="nofollow" href="http://feeds.wordpress.com/1.0/goreddit/thecenterforthehumanities.wordpress.com/32/"><img alt="" border="0" src="http://feeds.wordpress.com/1.0/reddit/thecenterforthehumanities.wordpress.com/32/" /></a> <img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=thecenterforthehumanities.wordpress.com&amp;blog=28151715&amp;post=32&amp;subd=thecenterforthehumanities&amp;ref=&amp;feed=1" width="1" height="1" />]]></content:encoded>
			<wfw:commentRss>http://thecenterforthehumanities.wordpress.com/2011/10/10/what-is-conservatism-probably-not-what-you-think/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
	
		<media:thumbnail url="http://thecenterforthehumanities.files.wordpress.com/2011/10/we_the_people.jpg?w=150" />
		<media:content url="http://thecenterforthehumanities.files.wordpress.com/2011/10/we_the_people.jpg?w=150" medium="image">
			<media:title type="html">We_the_People</media:title>
		</media:content>

		<media:content url="http://1.gravatar.com/avatar/959c343cb0a4b1dbb63803d823e5d431?s=96&#38;d=identicon&#38;r=G" medium="image">
			<media:title type="html">spludwin</media:title>
		</media:content>
	</item>
	</channel>
</rss>
